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The pandemic prompted the Public to cancel its summer festival, and it looked like Shakespeare fans were out of luck. He hardly had a wealth of “Richard II” productions to consult.
They were helpful and interesting, but only to a point. Miriam A. Hyman voiced Bolingbroke, Richard’s chief antagonist.
“I hope the industry will be excited to hire them.”, And his director now believes the format turned out to be the right one. Doing the play for radio turned out to be an unexpected benefit for actors of color at a time when gigs have dried up.
Hannah Verdier. He’d soon add the tracks to a library of hundreds of hours of audio files that the production team spent a month editing into the approximately four-hour presentation. ‘Richard II’ Starring André Holland: Theater Review Unable to perform at the Delacorte, the Public takes its production of “Richard II” to radio, and the result is surprisingly intimate.
Holland smiled.
Presenter Jonathan Goldstein and his two producers – and occasionally his son Ogie, who has featured since he was a baby – reflect on the trials and tribulations of a life lived temporarily indoors.
Highlights include Stevie, one of the producers, deliberating with her grandma about whether to go on a socially-distanced blind date (it happens, but she doesn’t sound all that enthused); a weirdly calm woman in the early stages of labour having contractions as she’s interviewed; and a zookeeper on how the animals were held captive. Toilet roll shaming at the supermarket, fights in pharmacy queues, shaky tricycle practice: it’s all there in bitesize chunks. He let out an expletive and, holding up the recorder, said, “It’s dead.”. The actors had to be their own technicians, responsible for checking battery levels before recording sessions.
“But radio actually provides a way to circumvent this challenge that live theater doesn’t,” he said. Then, the week before rehearsals began, George Floyd was killed in Minneapolis. James McAvoy is Lord Morpheus, who descends into hell to confront Lucifer (Michael Sheen), with Riz Ahmed, Miriam Margolyes and Taron Egerton also in the ensemble. Hannah Verdier and
And Bolingbroke’s motives — whether he has always wanted the crown, whether he actually wanted Richard dead — are unclear. In one scene, when Richard returns to England after war, he presses his head to the earth and whispers lovingly to the land. ... Richard II. He’d initially had reservations about the radio format, but now he was surprised how much he enjoyed it. But the mostly Black cast, led by a suave André Holland in the title role, delivered electric performances, spotlighting the aural delights of Shakespeare’s language.
“They invite the audience to see a Black man becoming more vulnerable with himself.”, Ali explored how he could use auditory cues to make Shakespeare’s at times archaic text resonate in a modern setting. But the rumbling you’ll hear in the background isn’t of the producers’ creation like the tanks and helicopters.
Yes, the story’s knotty, but the production could fully stand on its own two feet without all of this didacticism.
Heavyweight turns from reconciliation-matchmaker show to lockdown-soother in the latest series of special check-ins. Sanjit De Silva’s character, the Duke of Norfolk, had to spit early in the play. Both dukes are exiled, but Bolingbroke soon returns with the support of the people to depose the king, who realizes too late that carelessness has cost him his title, his honor and his legacy.
“I had no idea how rich, rewarding and complex what we were making would become.”, How André Holland and Company Brought ‘Richard II’ to Radio. The first day of rehearsal started with a virtual town hall.
“There’s so much you can do,” said André Holland (here in his home town of Bessemer, Ala.) of recording Shakespeare for radio.
All rights reserved. WNYC offers four days of Shakespearean delights, starring the Moonlight actor. ‘Richard II’ Review: A Radio King With a Tottering Crown, André Holland during rehearsals for the Public Theater’s radio presentation of “Richard II.”. “And with the military, is it boots on the ground, or are there tanks and helicopters?”. Alabama native Andre Holland will takes to the airwaves this summer, starring in a radio version of Shakespeare’s “Richard II.”. “This is sounding so good,” Ali told the dozen people on the call.
In one interview segment, Ali described the play as a “long, slow, beautiful release of Richard’s humanity,” but it’s hard to square that with the production’s framing of Bolingbroke’s revolution as akin to Black Lives Matter protests. “These are some of the greatest theater, film and TV actors in the country,” he said. But I am glad I got to hear this king — and queens and dukes — pronouncing and prattling in my ear, regaling me in the comfort of my home. The WNYC audio team delivered microphones, recorders and XLR cables to the actors, who recorded at homes across the globe, some from towel-lined bathrooms and beneath blankets. André Holland during rehearsals for the Public Theater’s radio presentation of “Richard II.
There were several solid performances: Phylicia Rashad, as the grieving Duchess of Gloucester, revealing an almost physical grief; Dakin Matthews, chewing on John of Gaunt’s meaty dying speech; and Jacob Ming-Trent, with the arresting energy of a preacher at a pulpit as Carlisle.
The sound effects, under Isaac Jones’s technical direction, were vividly textured, however.
André Holland takes on Richard II – podcasts of the week WNYC offers four days of Shakespearean delights, starring the Moonlight actor.
Plus: Neil Gaiman’s The Sandman is an all-star thriller, Hannah J Davies,
What was meant to have opened Shakespeare in the Park’s season has found new life as a four-part audio play with resonance in the wake of Black Lives Matter.
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